Simmba movie review: Ranveer Singh Sara Ali Khan starrer Sim

Cast:
Ranveer Singh Sara Ali Khan,
Sonu Sood,Siddharth
 Jadhav,
Ashutosh Rana,Arun Nalawade,
Vijay Patkar,Saurabh 
Gokhale,Suchitra Bandekar

Sprawled on the terrace, gazing at the sky and nursing a drink, the film’s eponymous lead tells his subordinate Mohile about the discovery of water and ice on the moon. “Iska matlab sirf daru leke jaana baaki hain,” says the senior cop who flaunts a bilingual catchphrase: “Je mala mahit nahin te mala sangh (tell me something, I don’t know)”. It’s the kind of priceless exchange one would find in a mindless Govinda comedy from the 90s. “Tu mereko bohot dry look de raha hain, aajse tu mera driver,” he says when the two first meet.
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spin-off of Rohit Shetty’s blockbuster franchise and loosely adapted from Telugu hit Temper Simmba seems like a product conceived by a marketing maverick. It’s almost as if the very idea was assembled by an agency. The possible brief: create a relatable youth icon who lacks just enough virtues to be relatable, if not reliable. After all, he has to be the hero we don’t deserve or need, but want and aspire for. Unlike Singham, he must be utterly devoid of morals because everyone loves a bad boy. Then, we’ll get him to gradually turn because family films must end with a moral. Strategic input: sneakily weave in a story that makes him realise that corruption is bad and the goons he had been siding with all along, were up to no good.

And thus, we have Sangram Bhalerao (Ranveer Singh) or Simmba, a morally bankrupt cop with superhuman bargaining skills — he turns a blind eye to crime if the price is right. When Simmba, like Singham, gets transferred from hometown Shivgad to the much-lucrative Miramar police station in Goa, he’s warned about local stronghold Durwa Ranade (Sonu Sood). But Simmba isn’t the kind to brush the baddies the wrong way as long as he’s compensated for his ignorance. A flaky-yet-cute love track is thrown in when Simmba notices Shagun (Sara Ali Khan) — who runs a catering outfit in the neighbourhood. The film takes a dramatic turn when Simmba’s mooh-boli-behen is brutally raped and murdered and even while the accused happen to be in plain sight, telling evidence goes missing. What will Simmba do to save the day?

Singh’s an obvious choice to play Simmba. Grinning sheepishly from under his whiskers, he completes the small town cop with just the right accent and heft. That he has a winning comic timing helps a lot but even when the film takes a preachy turn, he hangs in there and ensures his character responds to the situations as earnestly as possible. Khan is as marginalised as actresses usually are in Shetty’s films (at least the ones in the previous Singhams) but is memorable in her brief part. Sood, as the negative lead, manages to lend a nefarious tinge and even while the character may be bit underplayed despite the loud premise it has been set in, he manages to deliver.

Shetty navigates familiar ground in this formula film. It is, after all, mounted on a franchise that has proven its worth in box office gains. It’s not a film that will encourage one to rethink fundamental theories or alter societal thought, even though it aspires to be at one point. But it’s surely a masala entertainer that packs in laughs, drama, dishooms and a lot more — now that’s more than you can expect for the price of a multiplex ticket.

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